Google
 

PDA

View Full Interactive Version Of This Page : New Chihuly Exhibit to Open - Columbus OH


HannahRachel
2006-08-04, 4:57am
Fiori: A Chihuly Garden of Glass
October 7, 2006 – February 25, 2007

Internationally acclaimed glass artist Dale Chihuly's newest series - Fiori - will be unveiled at the Franklin Park Conservatory in the upcoming fall exhibition Fiori: A Chihuly Garden of Glass. The elaborate glass garden will be designed specifically for the Conservatory, which is the first botanical garden in the world to showcase a Fiori.

Fiori (Italian for "flowers") will feature a major installation of Chihuly's most celebrated glass forms, assembled en masse. The hand-blown glass elements, ranging in size from six inches to 25 feet in height, will be positioned on a 365-square-foot reflective black glass platform. The installation is reminiscent of a vibrant garden landscape in a stunning range of colors.

The Fiori exhibition will also include the restaging of two pieces from the Conservatory's permanent Chihuly Collection - the spectacular Sunset Tower in the Pacific Island Water Garden biome and the dramatic Torchiere in the Desert biome. Other pieces from the Chihuly Collection are already on display and will remain on view for visitors to see during Fiori. These include Chandeliers, Niijima Floats, Anemone Clusters, a Venetian Ceiling, Persians, and drawings on Plexiglas.

The Chihuly Collection was on view at Franklin Park Conservatory during Chihuly at the Conservatory (2003-2004). After its grand success, the collection was purchased for the Conservatory in October 2004 with the support of ten local donors. With this gift, Franklin Park Conservatory is now the only botanical garden and one of few cultural institutions in the world to permanently house a major signature collection of Dale Chihuly's artworks.

To enhance the Fiori exhibition, the Conservatory has just completed garden plans for an elaborate floral display in the Showhouse. The design is a reflection of "millefiori" - a glass technique most often seen in glass paperweights. The technique incorporates colorful, patterned glass canes sliced into designs that look like a mound of flowers. The flower display will feature circular flowerbeds with tightly placed blooms in varying colors and patterns. The exhibition flowers will change seasonally and will include chrysanthemums, poinsettias, cinerarea, and kalanchoe.

Along with the exhibit, artist Hannah Rosner, lead lampwork instructor at Glass Axis, demonstrates lampworking - a technique that uses a tabletop torch to apply heat to cold glass to change its form. Programs begin with a brief talk about the process and finish with demonstrations of basic beads and glass floral techniques. Rosner has an MFA in Theatrical Design and more than fifteen years teaching experience combined with twenty years as a working artist. The event is free with admission.
Saturday, October 14, 2006, 1 - 2 p.m.
Friday, November 24, 2006, 1 - 2 p.m.
Wednesday, December 13, 2006, 6:30 - 7:30 p.m.
Saturday, January 13, 2007, 1 - 2 p.m.
Sunday, February 18, 2007, 2 - 3 p.m.

hulagirl
2006-08-04, 6:40am
That's great Hannah! I might come out and harrass you on one of those days! Hope all is well!

Suebeads
2006-08-04, 12:00pm
Can't wait!

HannahRachel
2006-08-06, 10:18pm
Thanks Beth, Sue. I hope to see loads of friendly and familiar faces while I'm there.

It sounds to me like there will be only a few new pieces, and a resurfacing of the exhibit that the Franklin Park bought last time a show was at the conservatory... but here's what I like about the exhibit (monitors... feel free to move this to the woodshop if need be):

1. Franklin Park Conservatory is very beautiful, but as I understand it, wasn't doing very well financially. It has since turned itself around because of the show. This is a situation where you can say that the artist was PAID well so of course would do the show, but in the long run, the conservatory here was saved as a result. The same thing, as I understand it, happened at the Garfield Park Conservatory in Chicago - they were even closer to closing their doors, however, and are now doing quite well as a direct result of their Chihuly show a number of years ago. Isn't there quite a bit of good to be had in a situation which will save a city museum?

2. I'm so stinkin' proud of myself for landing this gig. When I did the demos for the last Chihuly show, they were SO nice to me at the conservatory, so I'm looking forward to doing it again.

Kevan
2006-08-06, 10:42pm
Way cool, Hannah!

HannahRachel
2006-09-06, 8:48pm
Here's some more information regarding the exhibit...

40376

"[Creating Fiori] was a way to work with all the techniques we’ve learned over the last thirty-five, forty years,” said Dale Chihuly. “So as you look at [Fiori], you’ll see other series of my work in there somewhere.”

To enhance Fiori, the Conservatory’s gallery space will become a virtual Hot Shop and Glass Studio to experience and examine tools and machinery used to make blown glass art. Seven interactive stations with visual graphics guide visitors through simulated glass blowing exercises such as gathering molten glass from the furnace, shaping the glass using air and the blower’s bench, and seeing finished glass pieces cooling in the annealing oven.

Inspired by the Conservatory’s Chihuly exhibition in 2003, Columbus, Ohio artist Bernice Koff began a series that has become homage to "Chihuly at the Conservatory." The Conservatory will display her Chihuly-inspired paintings that use unusual paints, unique surfaces such as digital photos, handmade and plastic papers, and tools as varied as combs, spray bottles, sticks and the ends of paintbrushes. “When responding to Chihuly's art, I tap into a level of my own creativity that is deeper and more exciting than any previous painting experiences,” said Koff.

Sue H-K
2006-09-07, 8:27am
I'm sure it will be an awesome show!!! I went to the Chihuly exhibit in St. Louis at the Botanical Gardens twice this summer and it was really inspirational!

Sue in Maine
2006-09-07, 9:16am
VERY glad this info was posted as my daughter lives in Columbus. I've left details on her voicemail at work about the exhibit. I can't be there but I can see it thru her eyes.

Sue

suzanne
2006-09-12, 5:03am
I saw some of his work in Amsterdam, and it just took my breath away , awesome!

HannahRachel
2006-10-08, 6:40pm
Well, I went to the preview party and it was stunning. Great food, beautiful flowers, and the Chihuly art... Not as extensive as the original show, but at night the whole place is magical. If you've never attended an evening at a conservatory, make sure you do - loads of museums and conservatories have late evenings, and if you go to the Franklin Park Conservatory after dark (its open until 8pm on Wednesdays), it might be the most romantic darned thing on the planet. The lighting is absolutely beautiful. Dim garden pathways, sweet-smelling flowers, pretty, with spotlights on the Chihuly pieces that make them positively glow.

I was sort of sorry to be there by myself...
There could have been some seriously good smooching going on there...

The first demo I did was the Member's Preview the following night. I had a ball - they set up a small stage-thing and gave me a mike and made me feel all important and stuff. The folks who run the conservatory are just too sweet. I couldn't have had any more fun if I tried.

I won't be able to do the October 14th Demo since I've decided to take a Loren Stump Class... Mary Barett will take my place there. I'll be back to do the next demo in November.

HannahRachel
2006-12-10, 8:57am
I got reviewed in Columbus Alive, the local arts paper! I think its a good thing... I'll be this upcoming Wednesday night (12/13). Franklin Park is just magical after dark since the spotlights are just stunning.
-----------
Glass reflections
by Tracy Zollinger Turner

Like some strange, futuristic group of deeply planted bulbs, glass artist Dale Chihuly's work has reemerged among the bushes, buds and cacti at Franklin Park Conservatory. The effect of its previous appearances has generated a host of exhibitions and events related to the Seattle master's work, happening at the conservatory in conjunction with his latest show.

Fiori: A Chihuly Garden of Glass includes one new installation by Portland's sand and fire hero, along with highlights from the 2003 exhibition that locals enjoyed so much that resources were pooled to buy the entire thing and make it part of the conservatory's permanent collection.

Some of the exhibition's pieces have been available to view ever since they were initially installed in 2003, like the gawk-worthy Persian Ceiling in the show-house corridor, and the giant, spherical Nijima Floats that bulge out of the water's surface in the Pacific Island Water Garden.

Other pieces, including the long, red-capped orange stems of Torchier that stand among the conservatory's desert life, have been reinstalled from that exhibition after a prolonged nap in storage.

The exhibition's new installation, Mille Fiori, is a garden unto itself near the front of the conservatory, filled with trumpet-shaped blooms, spheres and stems of blue and green and aqua. It's striking, as all of Chihuly's work is, but somehow not as dramatic as the permanent pieces that come up like rich surprises in the gardens.

Chihuly's work is largely credited with revolutionizing the craft of glass into an art form by creating wild designs that evoke the shapes and forms of nature. In the conservatory's show house, nature is tamed into a traditional glass design. There, clusters of flowers are grown in the "millefiori" style seen in traditional glass paperweights, designed by Barbara Arnold, the conservatory's horticulture designer.

A hands-on, faux hot shop exhibit within Fiori walks visitors through the mysterious process of glass making, but it's only about as warm as a plastic fireplace. For a taste of the real thing, Glass Axis lampwork instructor and artist Hannah Rosner is doing monthly demonstrations with her torch in the atrium.

For safety's sake, she only makes small pieces while she explains terms like "cane" and "annealing," and how a glass worker can create different colors and textures. The presentation gets about as broad or as technical as the questions her observers ask.

Rosner will give her next talk and demonstration this Friday, November 24, from 1-2 p.m., and returns for another on Wednesday, December 13, from 6:30-7:30 p.m.
-------------
November 23, 2006