Quote:
Originally Posted by 5betsy
I work mostly in 96 for the saturated colors and because it's a tiny bit stiffer.
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That's interesting. I find the 96 furnace color opaques to be much less still than 104, in fact, some are almost soupy and hard for me to control. (This is not true of System 96, that is a bit stiffer.)
I haven't worked a lot with the transparents because they are so dark, but they are great for blowing into shards that can be used on 104, following the 20% rule.