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Tips, Techniques, and Questions -- Technical questions or tips

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  #1  
Old 2012-11-29, 7:17pm
ASamples33 ASamples33 is offline
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Default Silver Plum Question

I bought some Silver Plum glass (104), but have never been able to get a nice result out of it. Is there an tip or trick you can suggest to me? What other glass does it play well with? Any and all advise will be appreciated.
Thanks so much,
Andi
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  #2  
Old 2012-11-29, 7:24pm
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I always get nice results with silver plum when I work with plenty of O2.
Do not like to be reduced.

Look nice with Cooper green.
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  #3  
Old 2012-11-29, 9:15pm
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Ooooooo, lovely!
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  #4  
Old 2012-11-29, 9:28pm
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I blogged about Dark Silver Plum just a couple of weeks ago. I hope something here helps.
http://melanie-graham.blogspot.ca/se...0Silver%20Plum

Gorgeous beads, Liz!
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  #5  
Old 2012-11-30, 2:46am
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Andi,

it depends if you bought the old handpulled stuff or the new machinepulled.
You won't get nice results with the machinepulled.
And yes like Liz said, plenty of O2 and cooling cycles in between.





Beautiful beads, Liz!

Elke
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  #6  
Old 2012-11-30, 3:08am
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yes..agreement on the hand pulled. It makes enormous difference. Very disappointed in the last batch I got...:/
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  #7  
Old 2012-11-30, 7:39am
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I never adjust my flame for silvered plum. I toast it, as if it were a marshmallow, but mostly from underneath the flame.

-Donna
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  #8  
Old 2012-11-30, 8:32am
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I am grateful there's a thread about this color as I received it from Brandy and I had no idea what this color could do!
I will keep it in my little pile of ''special'' glass as I am still on a HH and I am not sure how to make it work with this kind of torch!
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  #9  
Old 2012-11-30, 7:31pm
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Elizabeth and Elke your beads are beautiful, I could only hope to get some results like that. Melanie I will read through your blog thanks for the tips. I have had my silver plum for about a year or even longer do you think it is from the old batch or the new? I don't want to sound ignorant but does plenty of O2 mean lots of oxygen? Does that keep the flame cooler?
Thanks for your help
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  #10  
Old 2012-11-30, 7:39pm
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Yes, this means that you need to work up in the flame, with lots of oxygen.
Thank you for the nice comment on my beads!
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  #11  
Old 2012-11-30, 9:08pm
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Quote:
Originally Posted by MelanieG View Post
I blogged about Dark Silver Plum just a couple of weeks ago. I hope something here helps.
http://melanie-graham.blogspot.ca/se...0Silver%20Plum

Gorgeous beads, Liz!
I really enjoy your glass blogs Melanie!
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  #12  
Old 2012-11-30, 9:09pm
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Are you on a single or dual torch Andi?

Alli
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  #13  
Old 2012-12-01, 3:56pm
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Quote:
Originally Posted by Wolflord View Post
I am grateful there's a thread about this color as I received it from Brandy and I had no idea what this color could do!
I will keep it in my little pile of ''special'' glass as I am still on a HH and I am not sure how to make it work with this kind of torch!

Silver plum LOVES a HH! Use it

Someone at some point will chime in about Amber's beads, but it's relatively easy on a HH, I had better luck on mine to be honest than on a surface mix. Therefore I use a slightly reducing flame when cooling/striking, so opposite of others I guess
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  #14  
Old 2012-12-01, 6:46pm
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Quote:
Originally Posted by bexrox View Post
I really enjoy your glass blogs Melanie!
Thanks, Becky! I like writing them, too! Only 1 000 000 colours to go
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  #15  
Old 2012-12-01, 7:02pm
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Single
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  #16  
Old 2012-12-01, 7:38pm
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DSP is fantastic with silver glass - these two are Aion2 over DSP:


Great for sculpturals - surface effects are wonderful:

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  #17  
Old 2012-12-01, 8:35pm
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Wow!! You folks are getting some incredible results from DSP! I never thought to use it for a base glass for anything, either. I'll have to try that.
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  #18  
Old 2012-12-02, 10:20pm
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I'm on a single too (another HH girl here!), and find, if I let the DSP cool a bit, then heat it again in the upper half of the flame, I have no problem bringing out the shiny.

HTH
Alli
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